Sunday, September 21, 2014

Banned Books Week Excerpt: Anal Sex Book for 12 Year Old Girl in Rancho Cucamonga Middle School

In the latest demonstration of just what a hoax is Banned Books Week, a public school rightly removed a book containing inappropriate material including graphic anal sex from its middle school library and is now scouring for more such books.  No doubt they will be labeled as "censors":
RANCHO CUCAMONGA (CBSLA.com) — Parents were shocked when they discovered a novel with erotic dialogue was being checked out and read by their children in their middle school’s library. 
The popular novel from the 1980s, “Rabbit is Rich” by famed author John Updike, has a number of graphic sexual scenes many parents say are unacceptable for younger readers to have access to. 
“I wouldn’t even want my kids to read it in high school,” Rancho Cucamonga resident Monica Reyes said. 
Another mother says that her 12-year-old daughter came home from Rancho Cucamonga Middle School one day with the adult novel, which she had checked out from the school’s library. 
The mother took to social media to voice her concern, sharing an erotic excerpt from the book, stating, “My 12 year old daughter brought home this book ‘Rabbit is Rich’ from Rancho Cucamonga Middle School library last week. She started reading it Monday and came to me concerned with the contents that were in the book. As I read it for myself, I became appalled by what I was reading as you can see for yourself. 
“As a concerned parent as to why this book would be in a kids school in the first place, I went directly to the principal’s office the very next day and the district.”


That is the response most people would expect since most people oppose sexually explicit materials in public schools.  Banned Books Week, created by a member of the Board of Directors of the Illinois ACLU who then joined the American Library Association and created the hoax, claims removal of such books is "censorship," 100% of the people who do this are "censors," censors usually act alone or with the support of people such as myself, and no one supports the "censors."

Predictably, Joan Bertin, Executive Director of the National Coalition Against Censorship, complains about the removal of "literary classics ... like ... John Updike" books from public schools and calls it "censorship."  She decries the "never-ending assault on books in school that contain anything that someone finds controversial, provocative, unpleasant, or offensive":

Could literary classics by Nobel and Pulitzer Prize winning authors like William Faulkner, Toni Morrison, Tony Kushner and John Updike be next on the chopping block? You bet, if we accept the idea that children should be protected from learning about life or fed only sanitized glimpses.

That's right, schools must not protect twelve year old girls from learning the exact details of one way to allow someone to sodomize them and urinate on them and ejaculate on their faces, which is what the Rancho Cucamonga Middle School girl read in the John Updike book, excerpt below.  After all, someone will eventually do this to them, so they might as well learn how to react while "at a safe distance" in public school, which is an actual ALA argument for allowing this.  This from the NCAC, a cosponsor of Banned Books Week.  Why not call it Misogyny and Pedophilia Week?

Part of the hoax of Banned Books Week is to not reveal what inappropriate material is actually being removed.  Even where the claim is made right in the title to reveal such material, it is not done.  It is not done because if people knew the truth, they would agree such material is not for public schools and would have it removed:
Another part of the hoax is to proclaim all the awards a book wins.  Indeed, the John Updike school book won the 1982 National Book Award.  Why are censors trying to keep kids from award winning books?  Who are they to tell others what children can and cannot read?


School Librarians Are Trained To Mislead

Here is an example of directions school librarians are given to mislead people about such materials.  Notice the directions, shown in the graphics below, are written to turn aside questions about the inappropriateness of school material and use them as another opportunity for propaganda, like how libraries may not limit access based on "age" when the US Supreme Court says the exact opposite: "There are substantial Government interests at stake here: The interest in protecting young library users from material inappropriate for minors is legitimate, and even compelling, as all Members of the Court appear to agree."

Notice the cover of "Banned Books" by Robert P. Doyle shows harmless books, not those like the John Updike one in the Rancho Cucamonga Middle School.  Notice the diktat not to engage in discussion on an issue such as pornography in the public school, instead, "Beware of manipulation.  Some reporters may ask leading questions, something like, 'Isn't it true that...?'  Make your own statement":







Media Fears Publishing Excerpts So People Remain Uninformed; I'll Inform Them

I'm going to reveal the truth about this John Updike school book, despite its winning awards, despite the excerpt below being pure porn, a word the American Library Association trains librarians not to use.  It is so outrageously pure porn in this school book that media will not even speak of it.  ALA benefits when media cannot even speak of the matter.  That way people do not really know the depth of the problem.  The school children can read it but the adults cannot discuss it.

So let's all grit our teeth and grind through an actual excerpt from a school book a twelve year old girl was reading until her mom reported the book to the school and the school removed it.  Think of the effect reading such material has on the mind of a young girl.  See if you think keeping a preteen school kid from reading this is "censorship."  There's a lot excerpted because ALA always claims context is important, so I'm providing context, not a single paragraph or two.

I know I'll get criticism and ridicule for reprinting this, but you just don't see this in the main stream media and someone has to do it to explain what is going on in public schools.  This is the kind of material in school books that ALA, NCAC, and many more claim is censorship to remove—you have to read this to believe it—this was in a public school—children actually read this—and Banned Books Week is the hoax needed to drive the ALA/ACLU's agenda ensuring school children retain access to such material:


Except of School Book from Rancho Cucamonga Middle School

Thelma with what breaks upon him like the clatter of an earthquake has come out of the bathroom. She is holding her underclothes in front of her, and with her back to him she sorts the underpants into the dirty pile the Harrisons keep beside the bureau, behind the straw wastebasket, and the bra, clean enough, back into the drawer, folded. This is the second time in this trip, he thinks drowsily, that he has seen her ass. Her body as she turns eclipses the bureau lamp and the front of her gathers shadow to itself, she advances timidly, as if wading into water. Her breasts sway forward as she bends to turn the light he switched off back on. She sits down on the edge of the bed.

His prick is still sleepy. She takes it into her hand. "You're not circumcised."

"No, they somehow weren't doing it at the hospital that day. Or maybe my mother had a theory, I don't know. I never asked. Sorry."

"It's lovely. Like a little bonnet." Sitting on the edge of the bed, more supple naked than he remembers her seeming with clothes on, Thelma bends and takes his prick in her mouth. Her body in the lamplight is a pale patchwork of faint tan and peeling pink and the natural yellowy tint of her skin. Her belly puckers into flat folds like stacked newspapers and the back of her hand as it holds the base of his prick with two fingers shows a dim lightning of blue veins. But her breath is warm and wet and the way that in lamplight individual white hairs snake as if singed through the mass of dull brown makes him want to reach out and stroke her head, or touch the rhythmic hollow in her jaw. He fears, though, interrupting the sensations she is giving him. She lifts a hand quickly to tuck back a piece of her hair, as if to let him better see.

He murmurs, "Beautiful." He is growing thick and long but still she forces her lips each time down to her fingers as they encircle him at his base. To give herself ease she spreads her legs; between her legs, one of them lying aslant across the bed edge, he sees emerging from a pubic bush more delicate and reddish than he would have dreamed a short white string. Unlike Janice's or Cindy's as he imagined it, Thelma's pussy is not opaque; it is a fuzz transparent upon the bruise-colored labia that with their tongue of white string look so lacking and defenseless Harry could cry. She too is near tears, perhaps from the effort of not gagging. She backs off and stares at the staring eye of his glans, swollen free of his foreskin. She pulls up the bonnet again and says crooningly, teasingly, "Such a serious little face." She kisses it lightly, once, twice, flicking her tongue, then bobs again, until it seems she must come up for air. "God," she sighs. "I've wanted to do that for so long. Come. Come, Harry. Come in my mouth. Come in my mouth and all over my face." Her voice sounds husky and mad saying this and all through her words Thelma does not stop gazing at the little slit of his where a single cloudy tear has now appeared. She licks it off.

"Have you really," he asks timidly, "liked me for a while?"

"Years," she says. "Years. And you never noticed. You shit. Always under Janice's thumb and mooning after silly Cindy. Well you know where Cindy is now. She's being screwed by my husband. He didn't want to, he said he'd rather go to bed with me." She snorts, in some grief of self-disgust, and plunges her mouth down again, and in the pinchy rush of sensation as he feels forced against the opening of her throat he wonders if he should accept her invitation.

"Wait," Harry says. "Shouldn't I do something for you first? If I come, it's all over."

"If you come, then you come again."

"Not at my age. I don't think."

"Your age. Always talking about your age." Thelma rests her face on his belly and gazes up at him, for the first time playful, her eyes at right angles to his disconcertingly. He has never noticed their color before: that indeterminate color called hazel but in the strong light overhead, and brightened by all her deep-throating, given a tawny pallor, an unthinking animal translucence. "I'm too excited to come," she tells him. "Anyway, Harry, I'm having my period and they're really bloody, every other month. I'm scared to find out why. In the months in between, these terrible cramps and hardly any show."

"See a doctor," he suggests.

"I see doctors all the time, they're useless. I'm dying, you know that, don't you?"

"Dying?"

"Well, maybe that's too dramatic a way of putting it. Nobody knows how long it'll take, and a lot of it depends upon me. The one thing I'm absolutely supposed not to do is go out in the sun. I was crazy to come down here, Ronnie tried to talk me out of it."

"Why did you?"

"Guess. I tell you, I'm crazy, Harry. I got to get you out of my system." And it seems she might make that sob of disgusted grief again, but she has reared up her head to look at his prick. All this talk of death has put it half to sleep again.

"This is this lupus?" he asks.

"Mmm," Thelma says. "Look. See the rash?" She pulls back her hair on both sides. "Isn't it pretty? That's from being so stupid in the sun Friday. I just wanted so badly to be like the rest of you, not to be an invalid. It was terrible Saturday. Your joints ache, your insides don't work. Ronnie offered to take me home for a shot of cortisone."

"He's very nice to you."

"He loves me."

His prick has stiffened again and she bends to it. "Thelma." He has not used her name before, this night. "Let me do something to you. I mean, equal rights and all that."

"You're not going down into all that blood."

"Let me suck these sweet things then." Her nipples are not bumply like Janice's but perfect as a baby's thumb-tips. Since it is his treat now he feels free to reach up and switch off the light over the bed. In the dark her rashes disappear and he can see her smile as she arranges herself to be served. She sits cross-legged, like Cindy did on the boat, women the flexible sex, and puts a pillow in her lap for his head. She puts a finger in his mouth and plays with her nipple and his tongue together. There is a tremble running through her like a radio not quite turned off. His hand finds her ass, its warm dents; there is a kind of glassy texture to Thelma's skin where Janice's has a touch of fine, fine sandpaper. His prick, lightly teased by her fingernails, has come back nicely. "Harry." Her voice presses into his ear. "I want to do something for you so you won't forget me, something you've never had with anybody else. I suppose other women have sucked you off?"

He shakes his head yes, which tugs the flesh of her breast.

"How many have you fucked up the ass?"

He lets her nipple slip from his mouth. "None. Never."

"You and Janice?"

"Oh God no. It never occurred to us."

"Harry. You're not fooling me?"

How dear that was, her old-fashioned "fooling." From talking to all those third-graders. "No, honestly. I thought only queers… Do you and Ronnie?"

"All the time. Well, a lot of the time. He loves it."

"And you?"

"It has its charms."

"Doesn't it hurt? I mean, he's big."

"At first. You use Vaseline. I'll get ours."

"Thelma, wait. Am I up to this?"

She laughs a syllable. "You're up." She slides away into the bathroom and while she is gone he stays enormous. She returns and anoints him thoroughly, with an icy expert touch. Harry shudders. Thelma lies down beside him with her back turned, curls forward as if to be shot from a cannon, and reaches behind to guide him. "Gently."

It seems it won't go, but suddenly it does. The medicinal odor of displaced Vaseline reaches his nostrils. The grip is tight at the base but beyond, where a cunt is all velvety suction and caress, there is no sensation: a void, a pure black box, a casket of perfect nothingness. He is in that void, past her tight ring of muscle. He asks, "May I come?"

"Please do." Her voice sounds faint and broken. Her spine and shoulder blades are taut.

It takes only a few thrusts, while he rubs her scalp with one hand and clamps her hip steady with the other. Where will his come go? Nowhere but mix with her shit. With sweet Thelma's sweet shit. They lie wordless and still together until his prick's slow shrivelling withdraws it. "O.K.," he says. "Thank you. That I won't forget."

"Promise?"

"I feel embarrassed. What does it do for you?"

"Makes me feel full of you. Makes me feel fucked up the ass. By lovely Harry Angstrom."

"Thelma," he admits, "I can't believe you're so fond of me. What have I done to deserve it?"

"Just existed. Just shed your light. Haven't you ever noticed, at parties or at the club, how I'm always at your side?"

"Well, not really. There aren't that many sides. I mean, we see you and Ronnie -"

"Janice and Cindy noticed. They knew you were who I'd want."

"Uh - not to, you know, milk this, but what is it about me that turns you on?"

"Oh darling. Everything. Your height and the way you move, as if you're still a skinny twenty-five. The way you never sit down anywhere without making sure there's a way out. Your little provisional smile, like a little boy at some party where the bullies might get him the next minute. Your good humor. You believe in people so - Webb, you hang on his words where nobody else pays 'any attention, and Janice, you're so proud of her it's pathetic. It's not as if she can do anything. Even her tennis, Doris Kaufmann was telling us, really -'

"Well it's nice to see her have fun at something, she's had a kind of dreary life."

"See? You're just terribly generous. You're so grateful to be anywhere, you think that tacky club and that hideous house of Cindy's are heaven. It's wonderful. You're so glad to be alive."

"Well, I mean, considering the alternative

"It kills me. I love you so much for it. And your hands. I've always loved your hands." Having sat up on the edge of the bed, she takes his left hand, lying idle, and kisses the big white moons of each fingernail. "And now your prick, with its little bonnet. Oh Harry I don't care if this kills me, coming down here, tonight is worth it."

That void, inside her. He can't take his mind from what he's discovered, that nothingness seen by his single eye. In the shadows, while humid blue moonlight and the rustle of palms seep through the louvers by the bed, he trusts himself to her as if speaking in prayer, talks to her about himself as he has talked to none other: about Nelson and the grudge he bears the kid and the grudge the boy bears him, and about his daughter, the daughter he thinks he has, grown and ignorant of him. He dares confide to Thelma, because she has let him fuck her up the ass in proof of love, his sense of miracle at being himself, himself instead of somebody else, and his old inkling, now fading in the energy crunch, that there was something that wanted him to find it, that he was here on earth on a kind of assignment.

"How lovely to think that," Thelma says. "It makes you" - the word is hard for her to find - "radiant. And sad." She gives him advice on some points. She thinks he should seek out Ruth and ask her point-blank if that is his daughter, and if so is there anything he can do to help? On the subject of Nelson, she thinks the child's problem may be an extension of Harry's; if he himself did not feel guilty about Jill's death and before that Rebecca's, he would feel less threatened by Nelson and more comfortable and kindly with him. "Remember," she says, "he's just a young man like you once were, looking for his path."

"But he's not like me!" Harry protests, having come at last into a presence where the full horror of this truth, the great falling-off, will be understood. "He's a goddam little Springer, through and through."

Thelma thinks he's more like Harry than he knows. Wanting to learn to hang glide - didn't he recognize himself in that? And the thing with two girls at once. Wasn't he, possibly, a bit jealous of Nelson?

"But I never had the impulse to screw Melanie," he confesses. "Or Pru either, much. They're both out of this world, somehow."

Of course, Thelma says. "You shouldn't want to fuck them. They're your daughters. Or Cindy either. You should want to fuck me. I'm your generation, Harry. I can see you. To those girls you're just an empty heap of years and money."

And, as they drift in talk away from the constellations of his life, she describes her marriage with Ronnie, his insecurities and worries beneath that braggart manner that she knows annoys Harry. "He was never a star like you, he never had that for a moment." She met him fairly well along in her twenties, when she was wondering if she'd die a spinster schoolteacher. Being old as she was, with some experience of men, and with a certain gift for letting go, she was amused by the things he thought of. For their honeymoon breakfast he jerked off into the scrambled eggs and they ate his fried jism with the rest. If you go along with everything on that side of Ronnie, he's wonderfully loyal, and docile, you could say. He has no interest in other women, she knows this for a fact, a curious fact even, given the nature of men. He's been a perfect father. When he was lower down on the totem pole at Schuylkill Mutual, he lost twenty pounds, staying awake nights worrying. Only in these last few years has the weight come back. When the first diagnosis of her lupus came through, he took it worse than she did, in a way. "For a woman past forty, Harry, when you've had children … If some Nazi or somebody came to me and they'd take either me or little Georgie, say - he's the one that's needed most help, so he comes to mind - it wouldn't be a hard choice. For Ronnie I think it might be. To lose me. He thinks what I do for him not every woman would. I suspect he's wrong but there it is." And she admits she likes his cock. But what Harry might not appreciate, being a man, is that a big one like Ronnie's doesn't change size that much when it's hard, just the angle changes. It doesn't go from being a little bonneted sleeping baby to a tall fierce soldier like this. She has worked him up again, idly toying as she talks, while the night outside their louvered window has grown utterly still, the last drunken shout and snatch of music long died, nothing astir but the incessant sighing of the sea and the piping of some high-pitched cricket they have down here. Courteously he offers to fuck her through her blood, and she refuses with an almost virginal fright, so that he wonders if on the excuse of her flow she is not holding this part of herself back from him, aloof from her love and shamelessness, pure for her marriage. She has explained, "When I realized I was falling in love with you, I was so mad at myself, I mean it couldn't contribute to anything. But then I came to see that something must be missing between me and Ronnie, or maybe in any life, so I tried to accept it, and even quietly enjoy it, just watching you. My little hairshirt." He has not kissed her yet on the mouth, but now having guessed at her guilty withholding of herself from being simply fucked he does. Guilt he can relate to. Her lips feel cool and dry, considering. Since she will not admit him to her cunt, as compromise he masturbates her while sitting on her face, glad he thought of washing where he did. Her tongue probes there and her fingers, as cool on top of his as if still filmed with Vaseline, guide his own as they find and then lose and find again the hooded little center that is her. She comes with a smothered cry and arches her back so this darkness at the center of her pale and smooth and unfamiliar form rises hungrily under his eyes, a cloud with a mouth, a fish lunging upwards out of water. Getting her breath, she returns the kindness and with him watches the white liquid lift and collapse in glutinous strings across her hand. She rubs his jism on her face, where it shines like sun lotion. The stillness outside is beginning to brighten, each leaf sharp in the soft air. Drunk on fatigue and selfexposure, he begs her to tell him something that he can do to her that Ronnie has never done. She gets into the bathtub and has him urinate on her. "It's hot!" she exclaims, her sallow skin drummed upon in designs such as men and boys drill in the snow. They reverse the experience, Thelma awkwardly straddling, and having to laugh at her own impotence, looking for the right release in the maze of her womanly insides. Above him as he waits her bush has a masculine jut, but when her stream comes, it dribbles sideways; women cannot aim, he sees. And her claim of heat seems to him exaggerated; it is more like coffee or tea one lets cool too long at the edge of the desk and then must drink in a few gulps, this side of tepid. Having tried together to shower the ammoniac scent of urine off their skins, Thelma and Harry fall asleep among the stripes of dawn now welling through the louvers, they sleep as if not a few more stolen hours but an entire married life of sanctioned intimacy stretches unto death before them.

URL of this page:  safelibraries.blogspot.com/2014/09/bbw.html

On Twitter: @BannedBooksWeek @NCACensorship @OIF @VaselineBrand



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